Kristen Meyer pinpoints the distinctive crossroads of group and art in her meticulous flat lays. At once streamlined in materials and wealthy in depth and texture, the dazzling works use implied outlines and negative space to construct attention-grabbing categorizations within squares and completely spherical circles. The unearthly constructions, which look like miniature hoodoos, arise periodically throughout Great Lakes winters, though Nowicki says these 15-inch formations are a number of the tallest he’s stumbled upon. The wind fully erodes them or knocks them down.
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